At Weylandts, we believe in the power of design to connect people, communities, and stories. It’s this philosophy that drives our support for emerging talent in the design world.
Following last year’s collaboration with award-winning fashion designer Thebe Magugu, which included a philanthropic initiative supporting design student Samuel Mofokeng’s education, Weylandts continues to champion the next generation of creative leaders. “Supporting young designers like Samuel is central to our ethos,” says Anna Weylandt.
Design as a Force for Impact
Samuel’s work demonstrates how design can enhance communities and enrich everyday life. From conceptual stores to immersive lodge designs, his projects reflect a commitment to functional beauty, thoughtful storytelling, and meaningful engagement with space.
By reimagining materials and emphasising purpose-driven design, his approach aligns seamlessly with Weylandts’ ethos of connection, sustainability, and authentic craftsmanship.
Transforming through Sustainability
In his most recent project, Samuel showcased his ingenuity by reimagining a simple piece of furniture. Tasked with creating something remarkable from a used chair, Weylandts supplied an old oak stool. Samuel transformed it into a striking design piece by weaving rich leather across the seat, elevating the humble stool into a functional sculpture
The Loeileng stool was exhibited at the Design Time 2025 exhibition and highlights his ability to blend craftsmanship, materiality, and thoughtful design, turning everyday objects into pieces that tell a story, while honouring sustainability and authentic design principles.
Looking Ahead
Weylandts is proud to continue empowering designers like Samuel, fostering creativity, innovation, and African design excellence. The collaboration between established brands and emerging talent underscores a shared belief: design is a powerful force for connection, storytelling, and community impact.
Q&A with Samuel Mofokeng
How did your journey into the world of design begin and what inspired you to pursue it?
My journey began in civil engineering and construction, where my role focused on ensuring buildings were structurally sound and able to withstand various loads. However, I’ve always been drawn to the aesthetic aspect of architecture. This curiosity led me to explore the field of Interior Design. For me, it’s not just about making spaces look beautiful – it’s about creating environments that improve how people live, work, and feel.
Key breakthroughs you've experienced over the past two years?
Over the past two years, I’ve grown significantly through both academic and real-world experiences. In my first year, I interned at Scott and Partners working on a lodge Design in Namibia. At school, my group won the Vintage with Love Design Competition, and in my second year, we took first place in the Max on Top Competition with a conceptual jewelry store design. I also began interning at Will Design and Project Management, where I worked on projects across Africa, including in Zambia. These experiences have taught me the importance of collaboration, adaptability, and designing with purpose in real-world contexts.
Favourite building and why?
This year's Design Time annual picnic focused on world renowned architects. We were lucky enough to draw Frank Lloyd Wright where we chose to celebrate his Fallingwater project. I’m inspired by how it blends so effortlessly with its natural surroundings.
Who or what are some of your biggest influences?
Yolande Mitton, she is the principal and founder of Design Time, she’s driven, creative and conceptual. And Willem Engelbrecht of Will Design and Project Management with his driven, bold and visionary spirit. My mother’s philosophies also carry me – she believed in hard work and vision; I’m a tribute to her legacy.
What does “African design” mean to you, and how do you see yourself contributing to that narrative in your work?
To me, African design is about storytelling – telling authentic stories that celebrate Africa’s vibrance, its love, and its people. It’s a reflection of rich cultural heritage, diverse traditions, and the unique spirit of the continent.
Describe your design philosophy.
My design philosophy centers on creating spaces that tell meaningful stories, reflect identity, and offer immersive experiences that connect people deeply to the environment around them.
How do you see the role of design in shaping people’s lives or communities?
Good design goes beyond aesthetics; it considers functionality, culture, and human experience to craft spaces that meet real needs and bring people together. Whether it’s a home, workspace, or public area, design has the power to influence mood, behavior, and social interaction, ultimately enhancing quality of life.
How do you see the role of design in shaping people’s lives or communities?
Good design goes beyond aesthetics; it considers functionality, culture, and human experience to craft spaces that meet real needs and bring people together. Whether it’s a home, workspace, or public area, design has the power to influence mood, behavior, and social interaction, ultimately enhancing quality of life.
