Jackie shares her recent and current reads as well as a few recommended books, magazines and a website with aspiring fashion editors, content curators and those passionate about the industry.
Lee Miller was one of the most extraordinary photographers of the twentieth century, famous for her portraits and devastating photographs of World War Two, as well as for her legendary beauty. An art student and a “Vogue” model, she was a close friend of artists such as Picasso, Cocteau, Max Ernst and Paul Éluard, and became a muse of Man Ray and the Parisian surrealists. One of the few female photographers to enter Hitler’s Germany, she was the first to access his Munich home and among the first to document the liberation of the concentration camps. Carolyn Burke captures Lee Miller in all her complexity, unveiling the glittering art world of the thirties and forties of which she was a central figure. Meticulously researched, beautifully written, this is an enthralling account of one of the most fascinating women of her era.
Why are women more verbal than men? Why do women remember details of fights that men can’t remember at all? Why do women tend to form deeper bonds with their female friends than men do with their male counterparts? These and other questions have stumped both sexes throughout the ages.
In The Female Brain, Dr. Brizendine distills all her findings and the latest information from the scientific community in a highly accessible book that educates women about their unique brain/body/behavior.
Beautiful. Willful. Charming. Blunt. Grace Coddington’s extraordinary talent and fierce dedication to her work as creative director of Vogue have made her an international icon. Known through much of her career only to those behind the scenes, she might have remained fashion’s best-kept secret were it not for The September Issue, the acclaimed 2009 documentary that turned publicity-averse Grace into a sudden, reluctant celebrity. Grace’s palpable engagement with her work brought a rare insight into the passion that produces many of the magazine’s most memorable shoots.
With the witty, forthright voice that has endeared her to her colleagues and peers for more than forty years, Grace now creatively directs the reader through the storied narrative of her life so far.
Fantastic Fashion takes a look at some of the most bizarrely beautiful and outlandish trends in clothing and ornament, from the medieval steeple headdress and the eighteenth-century dandies of the Macaroni Club, to the dangerously tight corsets of the 19th century and the futuristic space-age look of the 1960s. From the preposterously high wigs worn by persons of prominence in the eighteenth century to the glittery platform boots of the 1970s, the history of fashion is filled with weird and wonderful trends – some flashes in the pan, others enduring and evolving over hundreds of years. At the time these styles were heralded as delightful innovations but, with the benefits of hindsight, many of these fads and fashions can now be seen as the absurd, uncomfortable and sometimes downright dangerous foolishness that they were. Fantastic Fashion is a celebration of all that is fantastically bizarre in our sartorial past.
The Gentlewoman celebrates modern women of style and purpose. Its fabulous biannual magazine offers a fresh and intelligent perspective on fashion that’s focused on personal style – the way women actually look, think and dress. Featuring ambitious journalism and photography of the highest quality, it showcases inspirational women through its distinctive combination of glamour, personality and warmth. These qualities are also at the heart of its website, thegentlewoman.com, a virtual place where real women, real events and real things are enjoyed.
i-D has built its reputation on being a consistent source of inspiration in fashion culture. It began as a fanzine dedicated to the street style of punk-era London in 1980, and quickly earned its position at the vanguard of fashion and style, abiding by the premise of originate – don’t imitate. i-D has come a long way since its pre-digital, cut-and-paste days and has developed into a glossy magazine that documents fashion and contemporary culture, and has broken ground defining it too. Constantly reinventing itself, as with our website, i-D continues to encourage creativity, which is why after more than 30 years, its editorial content still manages to surprise and inspire.
The Business of Fashion has gained a global following as an essential daily resource for fashion creatives, executives and entrepreneurs in over 200 countries. It is frequently described as “indispensable,” “required reading” and “an addiction.”
Founded in 2007 by Imran Amed, a fashion business advisor, writer and digital entrepreneur, The Business of Fashion began as a project of passion, aiming to fill the void for an informed, analytical and opinionated point of view on the fashion business.
Today, the website has grown to leverage a network of savvy writers and fashion insiders in style capitals around the world, delivering fashion business intelligence on emerging designers, disruptive technologies and global brands that are making their mark on the industry at a time of unprecedented change.